OoO highlights great but under-appreciated music albums, mostly from the 21st century, as selected by host DJ Poseur and a rotating brigade of fellow obsessives. Each co-host chooses an album pick to discuss at length, including consideration of why we think it’s awesome but woefully unknown to the listening public. All picks meet stringent criteria for obscurity (Under 50 user reviews in All Music Guide, Under 100k streams on YouTube). Features include games for the listener to play along with, like “The Obscurity Quiz” (in which albums are ranked by a contestant from most obscure to most famous), “Score the List” (in which cohosts compare their knowledge and music collections to online “Top 10” lists), “Stump the DJ” (in which the cohosts challenge one another’s knowledge of obscure bands), and the occasional “Scheduled Digression” (in which we tackle a specific topic in music or the music industry). See also the companion subreddit (www.reddit.com) for links to all the albums featured in OoO episodes if you'd rather skip our yakking: r/MusicNobodyElseLikes Who should listen to OoO? Anyone dissatisfied by contemporary pop music. Anyone unfamiliar with but interested in independent music of the 21st century. Fellow obsessives who want reviews of beloved but obscure albums and find existing online resources limited. People who want something totally out of left field to spice up their music listening experience. Anyone who enjoys a contentious dialog about art. Rather than being the kind of podcast whose any given episode will be of general interest, it is hoped that with time, with an accumulated body of work, we will hit upon an album or at least a very specific style of music that is beloved by potential listeners as much as by us. Welcome to the wild, weird, and wondrous world of OoO!
Episodes
Friday Apr 16, 2021
Friday Apr 16, 2021
Purchase options: “Music for Mortals” http://www.stuartdavis.com/album/music-mortals “ibn El Leil” https://www.emusic.com/album/84891083/Mashrou-Leila/Ibn-El-Leil
Structure: Background on SD (up to 6:13); “Music for Mortals” album: songs in 3-4 tiers (6:13-16:00) Comparisons & RIYLs for SD and eclectic albums (16:00-25:36) The SD discography & ratings for “Music for Mortals” and whether to focus on one genre per album (25:36-30:31) Transition between picks (30:31-31:56) “Ibn El Leil” album, openness to the style, the band has faced adversity for its identity, political lyrics, their Tiny Desk concert, different versions and songs repeating appearances, Middle Eastern pop production strictures (31:56-41:23) Song highlights (41:23-47:53) ML discography and RIYLs from the Middle East and the West, Synth-pop examined (47:53-51:59) Ratings and possible appeal beyond a Middle East fanbase (51:59-end)
Hopeful news article on a previous album by SD: https://www.duluthnewstribune.com/news/2257208-cd-review-davis-set-become-breakthrough-artist-new-release
Pitchfork called this video for ML’s “Roman” one of the best of the 2010s, and it’s been viewed enough times to make the pick for OoO questionable: https://www.youtube.com/watch?v=NF__cpsDmZk
ML lyrics in translation: https://mashrouleilalyrics.wordpress.com/2015/12/12/the-truth-behind-ibn-el-leil-night-wine-and-gods/
ML banned from performing in Jordan: https://friendlyatheist.patheos.com/2016/04/28/moderate-jordan-bans-lebanese-rock-group-for-music-that-contradicts-the-abrahamic-faiths/
Clearly showing religion is not my forte nor the focus of OoO, I misremembered this documentary as being about LGBTQ Muslims rather than Hasidic & Orthodox Jews…still relevant, I suppose, and it’s good to establish a negligent correction policy. Sorry to anyone who’s offended. https://www.rottentomatoes.com/m/trembling-before-gd
SD is RIYL: 90s rock, Talking Heads, Elvis Costello, RHCP, Adam Green
ML is RIYL: Depeche Mode, New Order, Pet Shop Boys
RIYL ML: A Hawk and a Hacksaw, Dissidenten, Ouzo Bazooka, Jerusalem in My Heart, Aufgang’s “Turbulences” album
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